EXP 2: Combined Axonometric Sketches

This developed axonometric drawing was chosen because of the interesting juxtaposition between the rectilinear and curvilinear form. The ribbon-like shape connotes to an overarching canopy structure that the light rail can pass through, whereas the prism acts as a space for passengers to board. 

EXP 2: 18 Sketch Axonometrics

SEJIMA: Strong sense of scaffolding and framing.

NIEMEYER: Explored the possibilities of reinforced concrete and it's volumetric simplicity.

SEJIMA: Meticulous composition of asymmetrical geometric forms.

SEJIMA: Fluid transition between interior and exterior.

SEJIMA: Strong sense of scaffolding and framing.

NIEMEYER: Architectural logo or motif is used to symbolize an abstract concept.

 SEJIMA: Strong sense of scaffolding and framing.

SEJIMA: Fluid transition between interior and exterior.

NIEMEYER: Explored the possibilities of reinforced concrete and it's volumetric simplicity.

EXP 2: Concepts

CLIENTS AND CONCEPTS

KAZUYO SEJIMA

Natural light is carefully controlled through perforated exteriors and the prolific use of glass.

OSCAR NIEMEYER

Free-flowing, sensual, and parabolic curves used to create passageways that connect various spaces. 

EXP1: Final Model Animations

My final model consists of a lantern-like shape serving as Miyake's upstairs workshop. The industrial looking spiral staircase leads down to a donut shaped translucent showroom connected to a long walkway. This whole area serves as a showroom with cylindrical and rectangular glass cases used to display the artist's works. The 'X' shaped latticework adds structural interest to the building. The water level acts as a datum. Bourgeois's spherical workshop is submerged underwater connoting to a more inward looking environment as most of her works are considered to reflect private sentiment. The long walkway connects the workshops and central showroom to the shore with a sense of grandeur. A grey tinted glass was chosen so that natural light could reach the interiors of the building but also to clearly show visitors the idea of the building having a datum level. I imported my 'corrugated' and 'expanding' material texture to the model to give the exterior a slightly rugged yet contemporary facade. Although I was not fully able to express my ideas through my model due to lack of experience with the software, I am overall very satisfied with my final model as I feel as though not only does it reflect the concept of a datum in an intriguing way, the workshops accommodate and mirror each artist's design philosophy.

OVERVIEW

WALK-THROUGH

SECTIONS

EXP1: Images and Sections of Final Model

IMAGES

SECTIONS

EXP1: SketchUp Model Second Draft

Issey Miyake's workshop is in the shape of a lantern, connoting to a spiral, oriental inspired structure. Spiral stairs lead down to a translucent donut shaped showroom where cylindrical glass cases are used to showcase works. The vertebrae staircase connect the showroom to Louise Bourgeois's dark, concrete clad open workshop area. Her space is more cave-like and inward looking compared to Miyake's as many of her works are self-reflective. 

EXP1: 36 Textures / Material Study with Model/ Video

I applied the Metallic, Corrugated, and Expanding textures onto my model.

I feel like this music video really captures the essence of what kind of atmosphere I wish to convey in my building. A dim lit, translucent, grey tinted space, glowing from within. A sophisticated environment for cultivating creative ideas.