EXP 3: 18 Sketch Perspectives

I attempted to relate the 18 perspectives to my theory by basing each one off a key word in my concept. The amalgamation of sketches in the two point perspective drawings enforces the idea of merging, splitting, and complicated spatial arrangements which are central to my theory.

                    

EXP 3: Theory

Theory:

"The splitting and discontinuity of opaque structures blurs the line between social and private areas. This entices a sense of surrealism as perforated barriers begin to create labyrinthine spaces."

Article:

Lee, Pamela M., and Gordon Matta-Clark. Object to be destroyed: the work of Gordon Matta-Clark. Cambridge, MA: MIT Press, 2001. 

EXP 2: Image Captures and Architecture

There is a clear connection between the aforementioned chosen combined axonometric sketch and the final architecture of the light rail station with the juxtaposition of a curved ribbon-like canopy over an asymmetrical rectilinear structure made of glass and timber.

The concept of sustainability is displayed by the abundance of greenery not only surrounding but incorporated into the final architecture. The use of multiple openings and large glass panels show passive design and encourages the use of natural lighting.

The canopy, being an amalgamation of modules, conveys a sense of innovation and a contemporary style of internationalist architecture. This allows the light rail station to blend into its urban context as a sophisticated monumental structure.

Numerous free-flowing and sensual parabolic curves are used to create the canopy; as well as passageways that connect various spaces which reflect the design philosophy of Oscar Niemeyer. 

Natural light is carefully controlled through the perforated mesh-like canopy and glass is used prolifically. This is reminiscent of Kazuyo Sejima's design philosophy.



LINKS:

LUMION:

https://www.dropbox.com/s/djngjytbh6vi741/Tung%20Tonia%20Yau%20UNSW%20Light%20Rail%20ARCH1101.ls7?dl=0

SKETCHUP:

https://3dwarehouse.sketchup.com/model/c0ba5f9e-b2e4-4c59-977e-1801053291a0/Tonia-Yau-UNSW-Light-Rail-ARCH1101

EXP 2: 36 custom textures

These three textures were chosen to be incorporated into the final model as they resemble real life materials the most and show an interesting array of textural and tonal contrast. 

      

LIGHT

Brick Masonry

MEDIUM

Fibrous

DARK

Wood/ Natural Material

EXP 2: Combined Axonometric Sketches

This developed axonometric drawing was chosen because of the interesting juxtaposition between the rectilinear and curvilinear form. The ribbon-like shape connotes to an overarching canopy structure that the light rail can pass through, whereas the prism acts as a space for passengers to board. 

EXP 2: 18 Sketch Axonometrics

SEJIMA: Strong sense of scaffolding and framing.

NIEMEYER: Explored the possibilities of reinforced concrete and it's volumetric simplicity.

SEJIMA: Meticulous composition of asymmetrical geometric forms.

SEJIMA: Fluid transition between interior and exterior.

SEJIMA: Strong sense of scaffolding and framing.

NIEMEYER: Architectural logo or motif is used to symbolize an abstract concept.

 SEJIMA: Strong sense of scaffolding and framing.

SEJIMA: Fluid transition between interior and exterior.

NIEMEYER: Explored the possibilities of reinforced concrete and it's volumetric simplicity.

EXP 2: Concepts

CLIENTS AND CONCEPTS

KAZUYO SEJIMA

Natural light is carefully controlled through perforated exteriors and the prolific use of glass.

OSCAR NIEMEYER

Free-flowing, sensual, and parabolic curves used to create passageways that connect various spaces.